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It is very rare for a movie riding on such a massive hype machine to actually deliver.

Asia is a broad region that has many nationalities, long-honored traditions, and a myriad of cultures and ethnicities.

In popular culture there are many stereotypes of what an Asian Bride should be.

Many men profess their love of the supposed purity and soft-spoken obedience of Asian women, not to mention the Asian bride’s storied beauty and grace, but this can be limiting and often not entirely accurate.

What does strike him as a little disconcerting are the two black servants, Walter (Marcus Henderson) and Georgina (Betty Gabriel). His understanding of horror tropes is bang-on, and he knows exactly how to ply them within his own take on the “everything seems right, but there’s something horribly wrong” scenario.

Right from the pre-opening credits scene when a black man is viciously abducted off a well-heeled suburban street, and into the ominous plantation lullaby being sung (which returns again over the movie’s end credits) as country trees blur by, then into a montage of Chris’s striking monochrome street images, you know you’re in the hands of a director oozing talent.

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